[Skip Navigation]

Poetry Archives

A continuing selection of classic and contemporary poems.

Eclogue II: The Grandmothers Tale

Robert Southey

JANE.
       Harry! I’m tired of playing. We’ll draw round
       The fire, and Grandmamma perhaps will tell us
       One of her stories.


HARRY.
                    Aye—dear Grandmamma!
       A pretty story! something dismal now;
       A bloody murder.


JANE.
                  Or about a ghost.


GRANDMOTHER.
       Nay, nay, I should but frighten you. You know
       The other night when I was telling you
       About the light in the church-yard, how you trembled
       Because the screech-owl hooted at the window,
       And would not go to bed.


JANE.
                         Why Grandmamma
       You said yourself you did not like to hear him.
       Pray now! we wo’nt be frightened.


GRANDMOTHER.
                       Well, well, children!
       But you’ve heard all my stories. Let me see,—
       Did I never tell you how the smuggler murdered
       The woman down at Pill?


HARRY.
                       No—never! never!


GRANDMOTHER.
       Not how he cut her head off in the stable?


HARRY.
       Oh—now! do tell us that!


GRANDMOTHER.
                 You must have heard
       Your Mother, children! often tell of her.
       She used to weed in the garden here, and worm
       Your uncle’s dogs [1], and serve the house with coal;
       And glad enough she was in winter time
       To drive her asses here! it was cold work
       To follow the slow beasts thro’ sleet and snow,
       And here she found a comfortable meal
       And a brave fire to thaw her, for poor Moll
       Was always welcome.


HARRY.
                   Oh—’twas blear-eyed Moll
       The collier woman,—a great ugly woman,
       I’ve heard of her.


GRANDMOTHER.
                   Ugly enough poor soul!
       At ten yards distance you could hardly tell
       If it were man or woman, for her voice
       Was rough as our old mastiff’s, and she wore
       A man’s old coat and hat,—and then her face!
       There was a merry story told of her,
       How when the press-gang came to take her husband
       As they were both in bed, she heard them coming,
       Drest John up in her night-cap, and herself
       Put on his clothes and went before the Captain.


JANE.
       And so they prest a woman!


GRANDMOTHER.
                           ’Twas a trick
       She dearly loved to tell, and all the country
       Soon knew the jest, for she was used to travel
       For miles around. All weathers and all hours
       She crossed the hill, as hardy as her beasts,
       Bearing the wind and rain and winter frosts,
       And if she did not reach her home at night
       She laid her down in the stable with her asses
       And slept as sound as they did.


HARRY.
                             With her asses!


GRANDMOTHER.
       Yes, and she loved her beasts. For tho’ poor wretch
       She was a terrible reprobate and swore
       Like any trooper, she was always good
       To the dumb creatures, never loaded them
       Beyond their strength, and rather I believe
       Would stint herself than let the poor beasts want,
       Because, she said, they could not ask for food.
       I never saw her stick fall heavier on them
       Than just with its own weight. She little thought
       This tender-heartedness would be her death!
       There was a fellow who had oftentimes,
       As if he took delight in cruelty.
       Ill-used her Asses. He was one who lived
       By smuggling, and, for she had often met him
       Crossing the down at night, she threatened him,
       If he tormented them again, to inform
       Of his unlawful ways. Well—so it was—
       ’Twas what they both were born to, he provoked her,
       She laid an information, and one morn
       They found her in the stable, her throat cut
       From ear to ear,’till the head only hung
       Just by a bit of skin.


JANE.
       Oh dear! oh dear!


HARRY.
       I hope they hung the man!


GRANDMOTHER.
       They took him up;
       There was no proof, no one had seen the deed,
       And he was set at liberty. But God
       Whoss eye beholdeth all things, he had seen
       The murder, and the murderer knew that God
       Was witness to his crime. He fled the place,
       But nowhere could he fly the avenging hand
       Of heaven, but nowhere could the murderer rest,
       A guilty conscience haunted him, by day,
       By night, in company, in solitude,
       Restless and wretched, did he bear upon him
       The weight of blood; her cries were in his ears,
       Her stifled groans as when he knelt upon her
       Always he heard; always he saw her stand
       Before his eyes; even in the dead of night
       Distinctly seen as tho’ in the broad sun,
       She stood beside the murderer’s bed and yawn’d
       Her ghastly wound; till life itself became
       A punishment at last he could not bear,
       And he confess’d [2] it all, and gave himself
       To death, so terrible, he said, it was
       To have a guilty conscience!


HARRY.
                    Was he hung then?


GRANDMOTHER.
       Hung and anatomized. Poor wretched man,
       Your uncles went to see him on his trial,
       He was so pale, so thin, so hollow-eyed,
       And such a horror in his meagre face,
       They said he look’d like one who never slept.
       He begg’d the prayers of all who saw his end
       And met his death with fears that well might warn
       From guilt, tho’ not without a hope in Christ.


[Footnote 1: I know not whether this cruel and stupid custom is common
in other parts of England. It is supposed to prevent the dogs from doing
any mischief should they afterwards become mad.]

[Footnote 2: There must be many persons living who remember these
circumstances. They happened two or three and twenty years ago, in the
neighbourhood of Bristol. The woman’s name was Bees. The stratagem by
which she preserved her husband from the press-gang, is also true.]
Online text © 1998-2008 Poetry X. All rights reserved.
From Poems | 1799
Add Keyword Tags

Separate each tag with a space. You may add as many tags as you'd like to each poem.

What are tags?
Tags, sometimes called “folksonomies,” are words that describe or categorize a poem, like “20th century modernism” or “Italian sonnet”. Tags can help you find poems that have something in common, based on how other people classify them.

More Info

This site will work and look better in a browser that supports web standards, but it is accessible to any Internet device.